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The Pushpa franchise’s popularity has sparked immense enthusiasm in the Indian cinema industry. The first installment, directed by Sukumar and starring Allu Arjun, made a significant box-office impact. Its highly anticipated sequel, Pushpa 2: The Rule, has been generating major buzz even before its release, riding on the incredible wave of popularity.

Remarkably, an online booking software unveiled a new feature revealing hourly cinema ticket sales patterns. This game-changer for movie buffs offered greater insight into box office dynamics. Some intriguing patterns emerged from the data, most notably “Jawan” leading the pack with a staggering 86,000 tickets sold in one hour.

Following closely behind in second place, “Animal” grabbed its share of attention with over 84,000 tickets sold per hour. Despite the anticipation surrounding “Animal” and “Salaar”, they haven’t quite surpassed Jawan’s record. However, “Pushpa 2” has emerged as a serious contender, poised to shatter this benchmark potentially. Across India, particularly in the Telugu states and North India, this movie boasts immense anticipation and has garnered significant buzz in other regions.

The excitement around “Pushpa 2” isn’t just a reflection of its predecessor’s success but an indicator of the growing popularity of PAN Indian films. The public’s enthusiasm is evident in their embrace of the “Pushpa” persona, refusing to give up while reenacting the movie’s song “Srivalli” with its signature moves. If its promotional material lives up to the hype, it might even cross the 100,000 tickets sold in an hour mark on a popular ticketing app.

This trend points to a larger shift in the Indian cinema landscape, where regional films are transcending language and cultural barriers to become pan-Indian phenomena. It signifies an evolving industry where compelling content reigns supreme, captivating audiences nationwide. As Pushpa 2 gears up for release, it represents more than just a movie; it signifies the transformation of Indian cinema, with diverse storylines finding a national audience and redefining what it means to be a successful film in the country.

 

 

 

 

 

 

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